IN THE HEART OF THE BUSTLING COMMERCIAL center of Lipa City
is a lovely residential enclave with a 19th century bahay na bato surrounded by contemporary
homes of some of the present heirs. The
house is one of the housed build by Don Norberto Calao Katigbak who was a gobernadorcillo from 1862 to 1863. He was married to Doña Justa Mitra de San
Miguel-Solis and had children who were sent to the prestigious schools in
Manila. During this golden period, the
prominent families of Lipa amassed their fortunes from “brown gold” –
coffee. They often traveled abroad and
entertained with elegance in their homes.
Houses of affluent families were not limited to one. All would be surrounded with lush orchards
and lavishly embellished with fine furniture and imported objets d’ art. Don Norberto was known to own estates equivalent to
the land area of “15 barangays.”
Rizal, in most books/articles about the national hero. It is claimed by the Lipeños that she was Dr. Rizal’s first love. Segunda then was 14 years old and Rizal, 16 years old and a recent graduate of Ateneo.
Segunda was a
classmate of Olimpia Rizal in Colegio de la Concordia in Santa Ana. She met Dr.Memorias de un Estudiante de Manila, he wrote “I do not know what alluring
something is all over her being. She is
not the most beautiful woman I have ever seen but I had never seen one more
bewitching or alluring.”
Rizal through his sister Olimpia,
whom he would visit weekly. The older
brother of Segunda, Don Mariano Solis-Katigbak, was also a classmate and became
the best friend of Dr. Jose Rizal who frequently visited Lipa. It was then that Dr. Jose Rizal became more
acquainted with Segunda. As manifested
in Dr. Rizal’s diary, poems and sketches, he was very enamored with
Segunda. In his diary,
In the diary of
Dr. Rizal dated November 16, 1881, he wrote: “It is true that during the
conversation, our eyes met and the most intense glances full of a loving
melancholy expression came to enslave my soul forever.” But then Segunda was already betrothed to a
distant relative and a wealthy planter from Lipa, Don Manuel Mitra de San Miguel-Luz. Her Lipeño parents were very pleased with
this match, with Don Manuel Luz coming from the same social status as their
family. Martin I. Tinio Jr., in the book
Batangas: Forged In Fire, cites that it was unfortunate that her parents did
not approve of Dr. Rizal. They had his letters
burned, as well as Segunda’s pencil
sketch of Rizal.
Though the
house is located in a busy sector of Lipa City, the fountain, fishpond and the
orchard remain as the focal point of the enclave. The
entrance to the zaguan is
through this delightful courtyard. The zaguan that used to open to the street,
metamorphosed over time from coffee-harvest storage to a professional office
with a spacious receiving area for guest.
Presently the zaguan is an
orientation area for visitors, filled with
information materials, copy of a portrait of Segunda, copy of the portrait of
her parents, photographs of the families of the Luz-Katigbak heirs and cultural
artifacts.
The
moderate-sized bahay na bato that must have been originally built on a square plan
with the azotea extending the house
into an L-shaped plan. The ground floor
thick stonewall perimeter is plastered with lime mortar. The zaguan
floor of 19th century black-and-white floor tiles is still intact
although the house was partially damaged during the bombing of Lipa during
World War II. The house was repaired in
1956 by Paz Luz-Dimayuga and was eventually declared a national historic site
by the National Historical Institute. She
lived in the house; enjoyed bringing visitors around the house and sharing
stories of the life of the past generations.
The area below
the azotea was converted into a comedor with a pleasant view of the
inner court with a quatrefoil-shaped fountain, lush vegetation and a replica of
a 19th century house occupied by one of the heirs. The comedor
floor is higher than the floor of the zaguan
but not quite the same level as the meseta
of the main staircase that leads to the second floor.
The main
staircase leads up to the second floor into a spacious formal living room awash
with sunlight. Floors are of narra planks, not very wide but of deep
warm color. Generous window openings
surround the three sides of the living room furnished with 19th
century furniture, piano, mirrors and other paraphernalia. On rainy days, the wood and capiz sliding windows keep the water
without blocking the soft light in the house.
On hot, sunny days, the window openings are closed with the second layer
of sliding, persiana panels. Below the
broad plank of wooden pasamano are
the baluster-protected ventanillas
that are likewise open by wood and capiz
panels in a diagonal pattern maintain a soft light in the house even when all windows
shut out the daylight.
The bedrooms
are located on both sides of the staircase.
The master’s bedroom is furnished with a finely carved narra bed dressed
with delicately crocheted bed fineries and the complementary bedroom
furniture. In the other bedrooms there
are dresses on mannequins in traditional Filipino clothes previously worn by
Segunda. A passageway from the bedroom
area lead out to the azotea refurbished with a service structure. Restored baluster railings protect the open
portion of the azotea. A stone
and lime mortar service stairway from the second floor leads to the courtyard.
Casa de Segunda
is most frequented by the locals with their guest who would reminisce the
glorious past of the city of Lipa.
Teachers would bring the school children here to familiarize then with
their culture and touch base with their past.
The present heirs, the great-granddaughters of Doña Segunda Katigbak-Luz,
maintain and manage through the house.
Ms. Lileth Malabanan would likely be the one to do this more often since
she lives nearby. MARIA CRISTINA V.
TURALBA, FUAP, PIEP